Remember serials? I don't, because I'm too young, and by the time I began going to the movies, it was already the practice for cinemas to stick to single, self-contained, feature-length fare. With the way screenings are arranged today, scheduled so that both theater owners and studios can get as much money from as many showings as possible, there's just no room for any accompanying shorts, especially the kind that don't end in a conclusive manner.

I'd probably be okay with being left out of that experience from the moviegoing past, but each time another Indiana Jones movie is released, I can't help but think I'm at least a little less appreciative of George Lucas' intent than some of the older folk in the audience. When Lucas thought up the original Raiders of the Lost Ark, he partly meant the film as homage to the serials he remembered from his childhood.

Yet Raiders didn't end with a cliffhanger, as most serials had on a weekly basis. And with the third sequel to that film, Indiana Jones and the Kingdom of the Crystal Skull, arriving in theaters this week, I still wonder why at least two installments couldn't have been connected with the serializing device. Lucas had already somewhat shown us, through the uncertain ending of The Empire Stikes Back and continuation/resolution beginning of Return of the Jedi, that it could be done.

Hey campers, it's time for another edition of The (Mostly) Indie Film Calendar, in which we tell you about the non-blockbuster, non-studio offerings that you can find in theaters this week. In a world where the multiplexes are packed, we proudly say: Chronicles of what now? If you know about something cool happening -- a local festival, repertory films, retrospectives, etc. -- let me know and I'll put it in the calendar! You'll find me at Eric.Snider (at) Weblogsinc (dot) com.

First up, we have a few...

INDIE THEATRICAL RELEASES

• Reprise is a Norwegian film about two friends, both would-be authors, who submit their manuscripts on the same day and go through all the rigors of an artist's life together. Cinematical's James Rocchi lavishes all kinds of praise on it in his review. Opens today in New York and L.A.

• How the Garcia Girls Spent Their Summer is a comedy about three generations of Mexican-American women enjoying their sexuality (not with each other, gross) one summer. Girl power! Ugly Betty is in it, but the film is from before she became Ugly Betty: It premiered at Sundance in 2005 (!) and is just now finally being released. Opens today all over California, as well as in Chicago, Miami, Houston, Dallas, Amarillo, Phoenix, and Mesa.

After the jump, more theatrical releases, plus our city-by-city rundown of special events taking place this week.

Other than the official videos released by Zack Snyder, it has been shockingly quiet on the Watchmen front. (And if you missed the videos, there's one on set design and one on costuming so far.) It was, unsurprisingly, a tight set. Those who visited (ahem) still aren't allowed to publish anything about it.

While watching the two behind-the-scenes videos thus far, I saw all those extras and wondered "How the heck did they keep them all quiet?" Well, they didn't. One of them has been sending quiet reports to Comic Related throughout production -- and the amount of stuff she knows is incredible. I'm amazed this has been lurking in a corner of the Internet and no one noticed. She was an extra during many a crucial scene -- and she has written the first description of Billy Crudup's performance as Doc Manhattan.

Her latest post features numerous photos, and a map, illustrating the sets. Start there and work your way backward. Now that this is hitting the wider Internet, it may be yanked, so enjoy it while you can. Those who have not read the graphic novel may want to avoid it, as it's full of spoilers. Those who have, and are worried about Snyder's handling of the material, will find many an answer here. If you too want to see the movie fresh, I will save your innocence and assure you of one thing -- the ending remains unchanged.

I'm beginning to believe that no one really wants to watch movies anymore. Or, at least, they don't want to actively watch them. Big movie theaters are hurting with the advent of saucy home theater systems, and it seems like most people would rather curl up on their couch then head out for the big community experience. We've already heard arguments about the mass distractions that are attached to home viewing, but I never thought that it would become part of the movie experience.

The Hollywood Reporter posts that Walt Disney is itching to use Blu-ray's Live technology to make a more interactive movie experience. But they're not talking about the Choose Your Own Adventure sort of fare. They're adding a whole lot of bells and whistles to their classics. First up, my favorite Disney film ever -- Sleeping Beauty.

Luckily, it doesn't seem to be presenting anything that will make me want to go out and get a new player. It's all movie distractions. It might be cool that the menu will have a customized version of Sleeping Beauty's castle that will reflect your weather conditions, but that's just fluff. Besides that, there's just things to distract you from the film -- integrated chats on the movie screen, customized video messages to insert into the movie, the option to mail clips to friends, trivia games, and the option for a constant stream of web trailers.

Gotta love those fan-friendly filmmakers. Next Saturday the Hobbit-makers (Peter Jackson and Guillermo del Toro) will participate in an online Q&A session -- and you've we've been invited to contribute some queries! Got a question about the cast? The second film? SMAUG??!? Then make sure you're signed up in advance, and get your question(s) ready!

ComingSoon.net tipped me off first, but you can see a full invitation from Mr. Jackson right here. Here's a snip: "We ask all fans with an interest in The Hobbit or The Lord of the Rings to send one question to this website. Ask us anything! Guillermo and I will select and answer the 20 most common questions, so we can both attempt to address the key issues as best we can ... In addition to answering your 20 questions -- for the entire hour we'll take additional live questions and chat about the projects with anyone who's interested."

(Dramatic pause)

ANYONE WHO'S INTERESTED? Holy macaroni, my geek-meter just overheated. Hell, I don't even need to ask a question (anything I'd want to know would probably be covered by a smarter geek than me), but I cannot WAIT to read the transcription of this chat session. Ugh, I can't believe we have to wait over two years for this Hobbit movie, but what sweet torture it is.

On this side of the Atlantic, there has always been the Trapp Family Lodge. Nestled in Stowe, Vermont, you could go there, ski, get fat on maple sugar, and revel in all things von Trapp. However, being in Vermont, and not Austria, it can't immerse The Sound of Music fans into the Austrian experience of the uber-popular film.

And now there's a new vacation spot to steal the Vermont Lodge's thunder. Reuters reports that the original family villa near Salzburg, Austria, is going to open as a hotel this July. I kinda feel bad for the US lodge, because what can compete, for fans, with sleeping in their rooms, or getting hitched in their chapel? You can even sing "Sixteen Going on 17" in Liesl's gazebo (a "self-assembly construction set"). To make things even more appealing, there are no large-scale renovations in store. The plan is to make minimal changes, like paint and rewiring, before the hotel opens and masses of fans can step back into time for a quite reasonable 100 euros a night. I wonder if the halls will be alive with music, and how long it would take to drive a normal traveler mental?

There's also tours through Salzburg Panorama Tours.

Now as long as we don't get a remake, we'll be set!

Like most mega-pathetic movie spazzes, I bought this box set the day it came out. (Actually I bought this version, got home, freaked out, and brought it back to the store to exchange for the correct one.) The first "Adventures of Indiana Jones" package came with a fourth disc that has a two-hour documentary on the whole series, plus a handful of brief featurettes on stunts, sounds, magic, and music. Definitely some good stuff, but the movie discs (NOT sold separately) were entirely bare-bones affairs.

So there are two things that are welcomely different about the second Indiana Jones box set: A) Now you CAN purchase the movies individually, and B) there's no extra disc: This time around the extra features are on the "main feature" discs. This sounded pretty good to me, as I've been hoping for more "flick-specific" supplements on the re-issue ... but here's where I get a little annoyed: Obviously the new goodies are of a very high quality (given that they were overseen by DVD magic-man Laurent Bouzereau), but ... why so skimpy? I'll offer a few nerdy gripes and then offer a theory as to why this stuff happens, followed by a complete list of all the new features found on the latest Indy DVD set...

Before we Bronte devotees could really whine and cry about the casting (there's still Ellen Page in Jane Eyre for that), it ceases to be. According to Variety, Natalie Portman has dropped out of the upcoming Wuthering Heights, leaving the film rather lost without a Cathy Earnshaw. According to Portman's publicist, the actress had a scheduling conflict with another project, which has not yet been announced.

So now, Ecross executives and director John Maybury are on the hunt for a new Cathy. As of yet, there are no contenders to the role, so now is our chance! Speak up, Cinematical readers, and let us flood the Internet with suggestions. Personally, I want to go back in time and import teenage Kate Winslet, Helena Bonham Carter, Kate Beckinsale or Lena Headey. As I cannot, I'm at a bit of a loss. Keira Knightley merits exclusion because of having played Elizabeth Bennett, and I think there's a rule that you can only play one standard of English Literature. I'm being rather stuffy in looking only to the UK, but nothing could ruin this movie faster than a wonky accent.

Interestingly, we finally have a name for Heathcliff. According to the Variety article, Michael Fassbender is in advanced talks to play the famous heinous, yet oh-so-sexy hero. I have only seen him as Stelios in 300, but he's getting good buzz for Hunger. Count me in the "intrigued, and not opposed" category, I guess, until further notice. His casting will mean my sister will be first in line for a ticket, that's for sure.

We can still whine and cry about the casting, though. It is our right as Internet film geeks, and ones with Gothic tastes. Oh heck, let's just gush about the book! We'll have our own Bronte Day here.

In honor of the upcoming Speed Racer, Matt Atchity over at Rotten Tomatoes has put together an impressive list of the most memorable cars to ever appear onscreen -- and if 50 wasn't impressive enough, he has put together an exhaustive list of honorable mentions.

There's no arguing with his picks -- for me, Dumb and Dumber's dog van ranks high, as does Garth Algar's MirthMobile. (You don't know how badly I coveted one as a teenager.) I think the Bond Astin Martin should rank above General Lee and Speed Racer though -- but I'm always one for a classic.

My number one pick -- yes, even above the DeLorean -- is the above. Mad Max's Modified 1973 Ford Falcon XB GT Coupe, ranked #26 on Atchity's list. That car is all kinds of sexy. I'm not really sure what that says about me, but there you go. There's a replica in my home town and it kills me that it is not mine.

Check out Matt's list, but come back and tell us your own picks. And if you have a car like Mad Max's, I'm all yours. I'm just saying.

It sounds like a prank. We would all like it to be one. But it seems to be legit.

The story comes from Screen Daily, who reports that S. Darko is being shopped around, with Fox already picking up the North American distribution rights. Touted as the sequel to the 2001 cult hit, the story picks up seven years after Donnie Darko left off. The youngest Darko, Samantha, is now 18 and abandoning her commitment to Sparkle Motion. She heads to Las Vegas with her best friend Corey, but the two are plagued with bizarre visions. I imagine they will involve a rabbit.

Richard Kelly, the original director, is in no way involved. Chris Fincher Fisher* will direct instead. Daveigh Chase, who played Samantha in the original, will reprise her role. It looks like she is the only one. The movie also stars Ed Westwick, Briana Evigan, and Justin Chatwin.

As to the big looming question of why, oh God, why, Simon Crowe of UK sales company Velvet Octopus says they're thinking of the children. "I think there is a new generation of cinema-goers who will be very excited to see this film."
Which generation came of age between 2001 and 2008? Why haven't they rented Donnie Darko? I am afraid these are questions to which Crowe has no answers. But he did quip, "Donnie's not in [the new film] but there are meteorites and rabbits."

Nothing is safe from the all mighty dollar, my friends. Nothing. Even when there is a pretty conclusive ending, there can always be a sequel. I'll leave you to think about that as I go pen my script for No Country for Old Men 2.

[via Empire]

*Very kind thanks to astute reader toad_stone for pointing out our egregious misspelling of director Chris Fisher's last name. Correction made, with our apologies. - Ed.

Welcome to another nutritious edition of The (Mostly) Indie Film Calendar, a weekly roundup of what's happening beyond the multiplexes in this great land of ours. If you know of something cool going on where you live -- a small film festival, retrospective, midnight movies, etc. -- let me know! You can find me at Eric.Snider (at) Weblogsinc (dot) com.

INDIE THEATRICAL RELEASES

• Frontiere(s) is a French horror flick whose history is almost as torturous as its content. It was supposed to be part of the After Dark series last fall, but its NC-17 rating made that impossible due to the contract that the After Dark people had with the theatrical venues. So now it's basically going straight to DVD -- but first it's being deposited in a handful of theaters today in New York, L.A., Denver, Seattle, Philly, Austin, and maybe a few other places. Cinematical's Scott Weinberg gave it a mixed review at Toronto last year.

• The Fall: Remember The Cell, that freaky Jennifer Lopez movie from 2000? I know I do! (I never forget a movie with a vivisected horse.) The director, Tarsem Singh, is back now with The Fall, a visually stunning fable where a man in a hospital tells a little girl a story, and that story is craaaazy. Opens in New York and L.A. today.

More indie releases and a city-by-city list of cool events after the jump....

No, no, there's not going to be a remake of A Clockwork Orange starring Mick Jagger. At least I don't think so. This is just a fun bit of what-could-have-been. We like to play around with alternate-universe casting here once in a while, and this one's a doozy. Someone found a letter from producer Si Litvinoff to legendary director John Schlesinger, urging him to consider directing an adaptation of Anthony Burgess's novel. And part of the pitch was that Mick Jagger wanted the role of the psychopathic Alex, and that the Beatles "love[d] the project" and wanted to provide the musical score. Fortunately (?) Schlesinger wasn't interested and the project eventually wound up falling to good old Stanley Kubrick.

The Clockwork Orange we got was -- like all of Kubrick's work -- too singular a film to even try to imagine how someone else's version would have been different. But I admit I'm amused (and intrigued) by the notion of Jagger taking on the Malcolm McDowell role. Hell, after watching the manic two-hour stage show he put on in Shine a Light at age 63, I'm kind of convinced that he's actually omnipotent. As for the Beatles? That's just creepy. I'll stick with Kubrick's classical selections.

[hat tip: Movie City News]

Well, it was a surprise. MTV caught up with Jason Segel to pry more Muppet movie tidbits from him, and it seems he was happy to oblige. He revealed he's written a cameo for a veteran of The Great Muppet Caper.

"I have a cameo for Charles Grodin in it. It's a really brilliant cameo, I must say. I'm really proud of it." Maybe we will find out if he ever tried Hare Krishna.

As to who else might be making an appearance -- well, just about everyone. "At one point they need all the Muppets they can get." And no, it won't be full of raunchy adult humor found in Segel's Forgetting Sarah Marshall. No Muppets will get high or drop trou. "When I get into Muppet mode I turn into a 12-year-old boy," he protested. "I think them seeing me in those meetings, they had no doubt I would be OK with the tone."

If you still doubt Segel, you really need to see Forgetting Sarah Marshall and witness the glory that is the Dracula musical. It sealed the deal for me. (Has anyone else noticed the TV spots always show him singing the Muppet theme song? Such a savvy marketing team.) I vote for Steve Martin to reprise his role as the cheap champagne hawking waiter. I don't know why, but the expression on his face when they request straws still gets me. Or Michael Caine, because I think he deserves a special Oscar for turning in such a perfect Scrooge alongside rats and frogs. In case Segel is reading, offer up requests of your own.

Today is the semi-official start of the Summer Blockbuster Season, but don't despair! The (Mostly) Indie Film Calendar is here to fill you in on cool stuff happening outside the multiplexes in the coming week -- the perfect antidote to mainstream ennui. If you know of something interesting going on near you -- retrospectives, special screenings, etc. -- please let me know! Point your e-mail thingee at Eric.Snider@Weblogsinc.com and I'll put it on the calendar.

INDIE THEATRICAL RELEASES

• I don't know if famed critic-hater David Mamet still counts as "independent," but I'm including his new film, Redbelt, here just in case. It's a heady drama about a martial-arts instructor who gets tangled up with a Hollywood film shoot, a misfired policeman's gun, and several other things. ME LIKEY. Opens today on a few screens in New York and L.A.

• Son of Rambow was, hands down, the best film I saw at Sundance last year. It was snatched up by Paramount Vantage, which for some reason sat on it until now. It's a funny, creative, and sweet story about two British kids in the mid-'80s who film their own homemade version of First Blood (aka Rambo I). Cinematical's James Rocchi reviewed it at Sundance 2007 and loved it too, in case my word isn't good enough for you. It's in a few theaters today, with more to come.
  

After the jump, more indie releases in theaters, and a list of special events happening around the country....