Anyone with more than a passing interest in Judd Apatow's career will note how there's a curious call-back to one of Apatow's earlier works in this most recent of his productions, with the credits for Step Brothers in the exact same scrawled, stretched-out font as his comedy Freaks and Geeks. Freaks and Geeks, though, featured teens who often spoke and acted like adults; Step Brothers features adults who constantly speak and act like children.

The credit-font's evocation of an earlier Apatow work is an omen for the rest of Step Brothers, in fact, with Will Ferrell and John C. Reilly recycling and amplifying their rivalry from Talladega Nights: The Ballad of Ricky Bobby (also directed by Step Brothers helmer Adam McKay) but without that film's plot structure, surreal wit or inspired mockery (and celebration) of NASCAR culture; instead, Step Brothers seems constructed -- or, rather, contrived -- solely to create a circumstance where Ferrell and Reilly can act like idiot man-children and riff to their great amusement. That, however, is not the same thing as riffing to the amusement of the audience. ...

One of the greatest things about Guy Maddin is that his accomplishments come out of creativity and a spot-on eye, rather than money and flashy technology. Give the man an old camera, a few actors, and some weird props, and he can make a film that's not only engaging, but also visually stunning. He knows how to make the least become the most, and with the release of My Winnipeg, he's now inspiring others to do the same.

Jam! reports that UK filmmakers are getting a change to get their Maddin on. Both newbie and experienced filmmakers are getting the chance to submit 3-minute odes to their hometown, and Guy says "anything's eligible." Considering the lap-linked Winnipeg, it's not surprising that the doors are wide open...

Anyhow, the online contest is going to give out 1,500 pounds to the winner and a roundtrip flight to ... dum dum dum ... WINNIPEG! Sure, they also get their film screened and included on the UK's DVD release of My Winnipeg. But who cares when you can head to the snowy wonderland? I'm hoping the winner at least gets to choose the season.

If you want more information, head here.

The whole idea of secret children who come out of the woodwork is challenging as it is. Should the secret be revealed, or should it stay hidden? How do you make up for lost years? How do you integrate them into the family? Now, imagine that you're part of the law, and you find out that your secret kid is in jail. That's the basic idea behind a new indie comedy called City Island, and The Hollywood Reporter has posted that Julianna Margulies, Emily Mortimer, and Alan Arkin have joined the cast.

Andy Garcia had previously signed on to play Vince Rizzo, "a Bronx prison official who realizes that an inmate (Steven Strait) is his secret love child. His efforts to become his guardian lead to comic complications." Marguiles is taking on the role of Garcia's wife, and it seems that the man is also looking to become an actor because Arkin will play a teacher in the acting class, and Mortimer will be a fellow student he becomes friends with. Garcia's real-life daughter Dominik Garcia-Lorido will play his daughter, and Ezra Miller has also nabbed an undisclosed part.

I really don't know how all of this acting works into prison officials and long-lost bad boy sons, but we should see soon enough. The film went into production this week in the Bronx.

What can you expect from the MPAA when you make a movie with "some some graphic sexuality"? Yup, the kiss of death. Kevin Smith's Zack and Miri Make a Porno has been slapped with a rating of NC-17 by the MPAA, according to a list posted today by The Hollywood Reporter.

The rating was posted on the MPAA film ratings site at least as early as last Saturday, but News Askew noted that it was marked as "pending appeal" and had received the rating for "some graphic sexuality." I just checked the MPAA's site, and now the film doesn't show up at all. What happened? Was the appeal lost? Will cuts be made to secure the R rating? Who made the "some some" typo -- the MPAA or THR?

The ratings tussle is not entirely unexpected. Seth Rogen complained about the MPAA last month because of the film's difficulty in securing an R rating, and Smith took down a raunchy online-only teaser until the MPAA approved it. I would imagine that Smith is contractually obligated to deliver an R-rated version, but I wonder what nightmares he faces to please the MPAA?

As it happens, Smith will appear at Comic Con on Friday evening to talk about his film, and I'm sure he'll have something to say about the rating. Zack and Miri Make a Porno is still due to hit theaters on October 31.

It used to be that the musicians with the beat were the Go Gos. Now the beat is getting manly. The Hollywood Reporter has posted that there's a new indie '80s comedy on the way called We Got the Beat, and Robert Hoffman has just joined the cast. He's been dancing his butt off in a bunch of films and most recently got to groove in the rain with Briana Evigan in Step Up 2.

Written and directed by John Artigo, the film follows "Brad, a high school football player who sets out to prove he's more than just a jock by quitting the team and turning his heavy metal band into a pioneering boy band." But that's not who Hoffman is playing -- he gets to be "Garth, the boy-toy and live-in lover of Brad's mother."

This sounds like one of those films that could be terribly bad, or terribly good. Here's to hoping it's all set to real '80s music and is awesome. The indie begins filming this month.

Maybe I missed something, but since when did releasing films on a Wednesday become a commonplace strategy? I know, for years and years, several titles have opened mid-week, albeit typically on a handful of NY/LA screens or to capitalize on a holiday weekend.

But due to some recent moves, every Wednesday in August now has at least one wide release opening on it instead of Friday. On the 6th, we have Pineapple Express and The Sisterhood of the Traveling Pants 2; the 13th brings us Tropic Thunder; the 20th, The Rocker; and then Traitor on the 27th.

There are at least three other wide releases on the last three Fridays of the month, but I see no distinct point at which a two-day head start would make any great deal of difference (although I presume that Pineapple still wanted to have seven days on Tropic instead of five when it comes to their similar target demographic).

Was there a holiday I overlooked somewhere? Is it now cooler for kids to go to the movies on a school night once classes are back in session? Do you guys have any theories, or will you still wait for the weekend to catch any of these regardless?

OK, so I missed my flight to San Diego this morning and I've had a really rotten day, but there's always a small silver lining, right? In the movie world there is: JUST announced (like, within the last few minutes!) is the Toronto Film Festival's Midnight Madness '08 line-up. And, as usual, it looks pretty damn awesome.

I've heard some really good things about Pascal Laugier's Martyrs, Franck Vestiel's Eden Log, and Jon Hewitt's Acolytes -- plus I've been itchin' to see JT Petty's horror-western The Burrowers for over a year now! Other selections include Pracha Pinkaew's Chocolate, Toshio Lee's Detroit Metal City, and Mark Hartley's Not Quite Hollywood. Click right here for all ten of TIFF's Midnight picks --and of course you can expect all sorts of expansive festival coverage once TIFF rolls out in early September. Woo!

(Note: Rocchi got all excited about JCVD being chosen as one of the Midnight selections, which is a title I neglected to mention the first time around. Ditto Sexykiller and Deadgirl.)

( Also announced today: Toronto's Wavelengths and Sprockets Family Zone selections. )

I know Jim Carrey's track record has a few blemishes on it, but I have a good feeling about this one. Yes Man has a simple premise -- a no-fun, take-no-chances guy decides to say yes to everything for a year -- and the trailer feels like the ol' Jim we fell in love with back in the '90s.

Plus, the director is Peyton Reed, who will always hold a place in many people's hearts for Bring It On and the under-appreciated Down with Love. Maybe he can keep Carrey's more buffoonish tendencies in check?

We'll find out when the film is released on Dec. 19. In the meantime, watch the trailer and let us know what you think. Can the premise work? Will it wind up being overly wacky or too cartoonish? Do you agree that Zooey Deschanel should appear in more movies?

Last weekend, the box office exploded with The Dark Knight, which broke the opening weekend record, while Mamma Mia! did what it could in the shadow of bat wings and Space Chimps couldn't reach the top five with its $7.2 million. Matt was almost spot-on with his predictions last week, but I'll try to hold down the fort this week while he's away.

The top five totals:

1. The Dark Knight: $158,411,483 *
2. Mamma Mia!: $27,751,240
3. Hancock: $14,040,178
4. Journey to the Center of the Earth: $12,340,435
5. Hellboy II: The Golden Army: $10,117,815

There's two new wide releases this week -- one for laughs, and one for those who yearn to believe.

Step Brothers
What It's All About: It's the typical new-family scenario with a much older twist. Will Ferrell and John C. Reilly star as spoiled adults who live at home and are less than pleased when their parents meet and get married. Quickly, however, they become best friends who indulge in all the fun things kids do. You know, whispering after lights out, making things... But then their folks have had enough and want to kick them out, spoiling their fun.
Why It Might Do Well: It's Ferrell and Reilly acting like kids, the bunk beds scene is flipping hilarious, and the two actors have a solid following.
Why It Might Not Do Well: The duo's shtick could be getting old, and it still has to face the roaring-forward Dark Knight.
Number of Theaters: 2,800+
Prediction: $23 million

Whenever a good idea comes along, it doesn't take much time for people to claim they thought it up first. That seems to be the case with Dr. Horrible's Sing-A-Long Blog, the Joss Whedon-created miniseries that streamed online last weekend and is now available on iTunes. Spout reports that legions of commenters calling themselves the Army of Toy Soldiers have been pummeling the site with complaints that Dr. Horrible is a direct rip-off of Dr. Steel, an online show that's several years the senior of Whedon's program. Wired spoke to Dr. Horrible co-writer Mauria Tancharoen, who said they've never heard of Dr. Steel, but don't mind that it exists. The Toy Soldiers, however, appear to be gearing up for a confrontation, possibly one that will go down this week at Comic Con.

Whatever. Dr. Steel offers plenty of entertainment value in its own right, and it does feature a maniacal supervillain with a catchy singing voice (see above). But it also contains more razzle-dazzle weirdness than plot, and Dr. Horrible is pretty much a straightforward narrative. One Toy Soldier member has argued that if they don't speak out, their silence will imply that Dr. Steel stole its concept from Dr. Horrible. That logic holds up -- but either way, we're dealing with two very separate programs here. If anything, the immediate exposure of Dr. Horrible can only help Dr. Steel gain more attention. Once noticed, people should be able to tell the difference.