As pleasantly surprised as I was by last summer's musical remake of Hairspray, I can't say that the prospect of sequel potential ever once came to mind. Thankfully, that's why we have Hollywood bean counters and the like, who see the success of that film, Mamma Mia! and High School Musical (including a fair amount of CD and DVD sales for each) as reason enough to have John Waters -- who wrote the 1988 original -- whip up a treatment for a Hairspray sequel.

According to Variety, returning for the project is director Adam Shankman and ... um, no one else at the moment. There isn't a writer attached, nor are any of the original stars lined up to return, although I have little reason to think that most of the young cast wouldn't be down for another one (just what is Nikki Blonsky up to now, anyway?).

Warner Bros. hopes to have Hairspray 2 (Hairspray-ier?) in theaters by July of 2010.

Prepare to roll your eyes in disbelief. The remake of Akira Kurosawa's venerated classic The Seven Samurai has been completed. But it's not the one planned by The Weinstein Co. And it's scored to The Rolling Stones?!!

Let's clarify: Don Brown at ryugangi says that Hiroyuki Nakano, director of the excessively stylish Samurai Fiction and Red Shadow, has been busy creating a new version of Samurai for a pachinko machine. (Yes, you read that right.) The official site features a half-dozen clips. The ones I've watched look surprisingly good and faithful to the spirit of the original -- except, er, for Mick Jagger singing "Paint It Black," "Jumping Jack Flash," and "Satisfaction."

How could this happen? Kurosawa's son Hisao has reportedly irked many by licensing his father's films and image for everything from remakes to a canned coffee commercial. Seven Samurai itself was made into a video game in 2004 (Seven Samurai 20XX) that was recently named one of the worst movie games ever by Wired.com. The same Japanese company that produced the video game (Sammy) also makes pachinko games, so I suppose this was inevitable.

Initially, I thought the article was either a bad joke or a slam at Nakano's directing style. Surely this was an advance peek at the Weinsteins' remake. But that project won't start shooting until later this year and the cast will feature American, European and Asian stars (per Variety), not just the Japanese actors pictured. My eyes are still rolling.

Frankly, the news that a screenwriter had been hired to pen the latest installment in a horror franchise would not normally merit much attention.(Other than from the writer's agent and immediate family.) But when we're talking Wesley Strick and A Nightmare on Elm Street, my curiosity soared.

New Line Cinema has hired Strick to create their new version of Nightmare, according to The Hollywood Reporter. One of his first credits was as co-writer of Arachnophobia, Frank Marshall's clever creature feature, followed by Martin Scorsese's heavy-handed remake of Cape Fear, and later Mike Nichols' post-modern Wolf. His other credits include Final Analysis, The Saint, The Glass House and Doom.

While it's always tricky to assign credit or blame based solely on screen credits, I think it's safe to say that Strick has a distinct track record: complex psychological tension, sarcastic humor, and mucho macho boom boom (to coin a phrase for his uber-male characters). I'm not saying that all of these elements succeed in every movie he's had a hand in writing, but I am hopeful that Strick can come up with a fresh twist on Freddy Krueger.

The new Nightmare will retain the high school setting and "delve deeper in the psychology of nightmares and Krueger himself. The plan is to have a dark tone." If the plan is also to forget about a PG-13 rating, so much the better. New Line aims to release the film in time for the 25th anniversary of the original -- which would be November 2009.

Maybe I missed something, but since when did releasing films on a Wednesday become a commonplace strategy? I know, for years and years, several titles have opened mid-week, albeit typically on a handful of NY/LA screens or to capitalize on a holiday weekend.

But due to some recent moves, every Wednesday in August now has at least one wide release opening on it instead of Friday. On the 6th, we have Pineapple Express and The Sisterhood of the Traveling Pants 2; the 13th brings us Tropic Thunder; the 20th, The Rocker; and then Traitor on the 27th.

There are at least three other wide releases on the last three Fridays of the month, but I see no distinct point at which a two-day head start would make any great deal of difference (although I presume that Pineapple still wanted to have seven days on Tropic instead of five when it comes to their similar target demographic).

Was there a holiday I overlooked somewhere? Is it now cooler for kids to go to the movies on a school night once classes are back in session? Do you guys have any theories, or will you still wait for the weekend to catch any of these regardless?